In early 2014, a video was released of people in the typhoon-ravaged Philippines dancing to Pharrell Williams’ pop hit, ‘Happy’. While it would be hard to find a song less ‘political’ on the surface, the power of this video, showing happiness, strength and humanity amid the devastation of Typhoon Haiyan, was such that it was soon replicated. Dancers in Tunis, Moscow and the Ukraine used the format to convey their struggle for freedom and what happiness means to them. Blogger Shan Wang recently wrote, in the online youth current affairs magazine .Mic, that ‘“Happy” came into the world apolitical, but it’s something more now — it’s a song of resilience and resolve under incredible hardship’.1
Pharrell Williams’ song tapped into emotions and opened new ways of understanding the world for new audiences. In building resilience and group identity in the dancers themselves and those around them, it helped create social and political change.